SHAFTESBURY
(1671 1713)
MORAL
SENSE THEORY
Anthony Ashley
Cooper, the third Earl of Shaftesbury was born in London. He was taught Greek and Latin by a private
tutor (under the supervision of Locke) and after three years at Winchester
College travelled on the Continent with another tutor (1686-89). He was elected to Parliament in 1695, but
from 1698 onwards devoted most of his time to study and writing.
ETHICS
[1] Shaftesbury starts from a consideration
of the "passions or
affections"; for it is their harmonization under the control of reason and in
the fullest development of his natural potential that man's good or virtue is
found [a]. To the extent that a man is virtuous he will find happiness though
Shaftesbury stresses that virtue
should be sought for its own sake [b] rather than to
achieve some end such as happiness or pleasure or because he is enjoined to be
virtuous by his religious precepts. Indeed religion presupposes morality. Nor should we seek for virtue because God has willed it. Nevertheless, he stresses that virtue must
include piety. He also says that harmonization is not possible if
the individual considers himself in isolation; man is a social being. But while he rejects egoism, he argues that there is no conflict between
self-regarding behaviour and altruistic or benevolent action [c]. In the genuinely moral man the two seemingly opposing impulses are
in harmony. How do we know what the good
is? Can we recognise harmony? According to Shaftesbury, all men are born with a capacity
to feel, in the course of their development, moral concepts or notions (they
are 'connatural' to him as a social being), though he allows that the
capacity may be corrupted by education or custom. Thinking about one's actions
and affections constitutes 'reflected sense' and brings them into the mind as
another kind of affection. Shaftesbury calls this feeling moral sense or conscience, and it is
akin to an aesthetic sense [d] in that
it judges the harmony of passions and affections in terms of such qualities as
soft and harsh, agreeable or disagreeable, which characterize objects of art or
musical compositions. Shaftesbury's
ethics and aesthetics are thus grounded in concrete human experience (as
contrasted with rationalism) though he does also think of goodness, beauty, truth and harmony as reflections of an absolute
realm of being and value revealed in nature [e].
CRITICAL SUMMARY
Shaftesbury's importance in ethics lies in
his concept of moral sense as 'conscience', his linking of this with an
aesthetic sense, and his emphasis on harmonizing the passions under the control
of reason. Questions can be asked about
the compatibility of altruistic concern for the common good with
self-interest. Does the latter require
the former or does it lead to it? Some
critics argue that Shaftesbury's view is optimistic and that it is not borne
out by experience. It has also been
argued that the concept of moral sense does not discriminate adequately between
virtue and vice. Finally, it is
generally accepted that his moral philosophy would have been improved had it
been worked out more fully.
CONNECTIONS
Shaftesbury